I suppose it might be best characterised as a novel of ideas, and ideas of compelling relevance to the times in which we live - though you do get to care about the three characters the novel revolves around - but that makes it sound a lot drier than it is. Coetzee convinces you (well, me anyway) that the ideas he explores, and they really are explored from just about every possible angle, are urgent, indeed, demanding of our attention, and, in some sense, action. There's a moral seriousness here that's extraordinarily powerful and disturbing. As with Disgrace I think I'm going to put the text aside in some sense a changed person - I hope, in a small way, for the better.
And all this from a text that on the surface (each page divided into three segments, each segment containing its own little bit of sort of, but not always, narrative; in fact, predominantly the main 'narrative' consisting of expository pieces by the main character, a writer who bears more than a passing resemblance to Mr Coetzee) looks like a bit of gimmicky post-modern tiresome fictive trickery. Good grief, the man's a magician.
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