Just back from a very jolly currified nosh-up with Mei & Boon, the first time we've seen them for quite a while. Lots of catching-up completed, but that still leaves plenty to discuss. We're hoping to continue where we left off in KL next weekend, over a very timely break for Chinese New Year.
Noi and I were also able to show off our new quarters, now almost in working order. The boxes all unpacked, the carpets down, the various ornaments looking suitably ornamental. It's a relief, I can tell you, to get it all done.
Saturday, January 30, 2016
Friday, January 29, 2016
An Interesting Life
There's something to be said for never being bored at work. The thing is, though, I'm not entirely sure what that something is.
Thursday, January 28, 2016
Happy Reading
The last of the boxes of books for the living shelves have now been unpacked and I've been reunited with all my old friends, most particularly Michael Kennedy's The Works of Ralph Vaughan Williams. The special mention is on account of the fact that this is the impending work of non-fiction on my reading list and I've been itching to get going on it. Actually I dipped into Kennedy's magisterial account extensively when I first became enamoured of the works of the greatest English composer of all, but that was a library edition. Only now do I find myself in the fortunate position of possessing a copy (bought from amazon.com on my last foray to that virtual emporium.)
This is teamed with Eleanor Catton's brilliant Booker-winning The Luminaries as my current reading. I've been making slow but steady progress through the opening segment thereof, and enjoying pretty much every sentence. It's only being super-busy that's prevented me devouring the tome at high speed.
So I'm a very happy reader indeed. Just wish I had a spare few hours here and there to wallow, but even just a bit of paddle is refreshing.
This is teamed with Eleanor Catton's brilliant Booker-winning The Luminaries as my current reading. I've been making slow but steady progress through the opening segment thereof, and enjoying pretty much every sentence. It's only being super-busy that's prevented me devouring the tome at high speed.
So I'm a very happy reader indeed. Just wish I had a spare few hours here and there to wallow, but even just a bit of paddle is refreshing.
Wednesday, January 27, 2016
Gaps
One of the CDs I bought from Real Groovy in Auckland last December was a second hand copy of Bowie's Outside (in excellent condition, and less than seven bucks.) It's been receiving substantial play since then, mainly because it's excellent, and partly because Bowie's death has made me focus on the great man more than somewhat since the sad news.
Yesterday I managed to find time to listen to the full CD without interruption and it was one of those occasions when everything about the piece came together for me, building on the earlier listening I had done. I'd regard it as up there with the absolute best of Bowie - which, believe me, is high praise. And yet, somehow I'd completely missed out on it at the time of release and was playing catch-up some twenty-odd years late.
And now I come to the point. I find these gaps in my knowledge of the works of musicians and writers I admire exciting and useful. I don't necessarily want to have been exposed to the full range of what they've done all at once, as it were, because it leaves nothing to look forward to. There're only two bands I can think of with regard to whom I own all the studio albums: The Beatles and King Crimson, and it's only very recently I managed the full set of the fab four. Think of it: someone who regards himself as a fairly major Dylan fan, but falls far short of completism.
Anyway, no prizes for guessing what I've lined up for my late-night listening, which begins now. Bye!
Yesterday I managed to find time to listen to the full CD without interruption and it was one of those occasions when everything about the piece came together for me, building on the earlier listening I had done. I'd regard it as up there with the absolute best of Bowie - which, believe me, is high praise. And yet, somehow I'd completely missed out on it at the time of release and was playing catch-up some twenty-odd years late.
And now I come to the point. I find these gaps in my knowledge of the works of musicians and writers I admire exciting and useful. I don't necessarily want to have been exposed to the full range of what they've done all at once, as it were, because it leaves nothing to look forward to. There're only two bands I can think of with regard to whom I own all the studio albums: The Beatles and King Crimson, and it's only very recently I managed the full set of the fab four. Think of it: someone who regards himself as a fairly major Dylan fan, but falls far short of completism.
Anyway, no prizes for guessing what I've lined up for my late-night listening, which begins now. Bye!
Tuesday, January 26, 2016
Wired
Building on yesterday's minor triumph of the techie guy fixing our telly and various boxes and recording units together in a way that almost made sense to me, I got stuck in behind the cabinet on which everything sits and made the whole shebang neater. And it stills works! What's more, it garnered the appreciation of the Missus on the aesthetic front. We're now in the process of moving other bits and pieces of furniture around and, once completed, we'll be unpacking the last of our cardboard boxes of stuff - which has all got to fit somewhere, somehow.
But not tonight. I am officially cream-crackered. Over and out.
But not tonight. I am officially cream-crackered. Over and out.
Monday, January 25, 2016
A Step Forward
It's so complicated these days to wire up the television to all the boxes that feed into it, and run the wiring needed to make it all work from one side of the room to another, that we are dependent on a technician guy that Siew knows to do it all for us. He fixed everything in our previous place some four years ago when we arrived in Hall, and finally came round to do the honours in our new quarters. We're getting rid of our little Sony tv set that friends tell us looks like it's from prehistoric times, and giving away a DVD player that we used in conjunction with it, but there are still plenty of wires to confuse us and look untidy, and accumulate dust.
Despite the techie chap having done the necessary, and very efficiently too, there's still a lot of tidying-up to do before we unpack the final boxes left from the big move. We've been waiting for order to be restored to the living room before gracing it with the books and crockery lurking therein. Years ago I would have been very keen to get going and set all to rights as quickly as possible, but I've learnt an awful lot of patience since then. We're hoping to be around our current location for a fair while, so there should be plenty of time to enjoy the good order we're hoping to achieve. The secret is to enjoy the process of getting there.
I'm actually looking forward to getting each bit of the forthcoming work done slowly, in a deliberately lingering fashion - quite the opposite of getting it over with as quickly as possible. Is this a kind of wisdom, or am I just lazy?
Despite the techie chap having done the necessary, and very efficiently too, there's still a lot of tidying-up to do before we unpack the final boxes left from the big move. We've been waiting for order to be restored to the living room before gracing it with the books and crockery lurking therein. Years ago I would have been very keen to get going and set all to rights as quickly as possible, but I've learnt an awful lot of patience since then. We're hoping to be around our current location for a fair while, so there should be plenty of time to enjoy the good order we're hoping to achieve. The secret is to enjoy the process of getting there.
I'm actually looking forward to getting each bit of the forthcoming work done slowly, in a deliberately lingering fashion - quite the opposite of getting it over with as quickly as possible. Is this a kind of wisdom, or am I just lazy?
Sunday, January 24, 2016
Saturday, January 23, 2016
Prog On!
I can't remember when I resolved not to buy any magazine, no matter how attractive, unless I'd completely finished the issue of the particular publication I might have previously purchased, but I'm very glad indeed I had the good sense to do so. The result has been a reduction in the number of said publications about the place (or, rather, places, counting Maison KL) and, more significantly, the annihilation of the debilitating guilt I used to experience at not having read what I should and accumulating impossible amounts to have to read in the future. I felt no pressure at all to read the October 2015 issue of Prog magazine (the one with the image of Peter Gabriel's 'melted' face on the cover, from the third solo album) despite having it lying around since the November of last year, and found myself thoroughly enjoying a very relaxed perusal yesterday and today, which took in the whole thing, cover to cover.
Prog is the only magazine devoted to music I read with any regularity these days. There's an abundance of music related material available on-line covering all sorts of genres such that it's really unnecessary to buy anything in hard copy at all, but I feel a curious kind of loyalty to the much-abused genre covered in the pages of Prog, and it's fascinating to pick up on the remarkable range of current practitioners amongst a younger demographic than one might have thought likely. It also hosts one two good writers, such as the estimable Sid Smith of Crimso-related fame, and ex-snooker luminary Steve Davis (believe it or not!.)
But having said that, most of the writing featured manifests the usual faults of music-related journalism. Almost every writer is keen to sound clever; almost every writer employs over-inflated language and imagery; almost every writer seems to think it obligatory to make comparisons to other bands you've never heard of, or place music within genres that don't mean much to the likes of me. What is 'post-rock' anyway? The curious thing is that I don't find this as irritating as I once used to, but have come almost to relish the niceties of it all. As long as some real enthusiasm shines through and you get at least a sense of the sort of thing that someone's busy creating (for precious little reward, as far as I can see) what does it matter?
Prog is the only magazine devoted to music I read with any regularity these days. There's an abundance of music related material available on-line covering all sorts of genres such that it's really unnecessary to buy anything in hard copy at all, but I feel a curious kind of loyalty to the much-abused genre covered in the pages of Prog, and it's fascinating to pick up on the remarkable range of current practitioners amongst a younger demographic than one might have thought likely. It also hosts one two good writers, such as the estimable Sid Smith of Crimso-related fame, and ex-snooker luminary Steve Davis (believe it or not!.)
But having said that, most of the writing featured manifests the usual faults of music-related journalism. Almost every writer is keen to sound clever; almost every writer employs over-inflated language and imagery; almost every writer seems to think it obligatory to make comparisons to other bands you've never heard of, or place music within genres that don't mean much to the likes of me. What is 'post-rock' anyway? The curious thing is that I don't find this as irritating as I once used to, but have come almost to relish the niceties of it all. As long as some real enthusiasm shines through and you get at least a sense of the sort of thing that someone's busy creating (for precious little reward, as far as I can see) what does it matter?
Friday, January 22, 2016
A Good Man
Today's the anniversary of Dad's death so I've been thinking about him more than I usually might. And Mum, too. It was during prayers at the masjid that it suddenly struck me that I couldn't think of anything he ever did that was in any way less than fundamentally well-intentioned. This was certainly true within the family and even though I never knew him outside of that in any real way, I do know that no one I spoke to who might have been aware of that life ever had a bad word to say about him. Not that he was in any way saintly. Just a very nondescript kind of bloke, slightly baffled by the world around him, muddling along with an innate sense of decency.
Nothing like me. That puzzled me then and still does. And I'm sure I puzzled him.
I suppose at some level everyone is a mystery waiting to be solved. And we never really get the solution.
Nothing like me. That puzzled me then and still does. And I'm sure I puzzled him.
I suppose at some level everyone is a mystery waiting to be solved. And we never really get the solution.
Thursday, January 21, 2016
Keeping Moving
Just back from the gym, happily accompanied by the Missus, putting in her first appearance on the treadmill for the year. We're targeting a health screening in June and we're both hoping to pull good numbers when the time comes. And, of course, we're of a vintage when you know you can't take anything for granted.
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