Now quite a way into Part VII of Germinal, the final section, and hoping to finish Zola's great novel today. Completely unputdownable - which is leading me to some puzzlement as to why I could put it down when we were in KL back in June and there was world enough and time to easily read it in its entirety then. In case there's any doubt about it, I knew it was a great work from the beginning, so quality was no issue. I remain a puzzle to myself.
Anyway, just to try and capture the impact of the novel on me, here's a rushed note I made for myself earlier today when I was finishing the previous section: Just reached the end of Part VI. Just brilliant. If the whole point of lit is to widen sympathies whilst informing us about the world, then Zola scores mightily. And, I can't explain why, there is a sense of Beauty in all this somewhere, though I'm damned if I can figure out why or how or even where. What a sequence - the death of the straved child Alzire; Etienne's fist-fight with Chaval; Jeanlin's murder of the soldier on guard, who never wanted to be where he was; the death of Trumpet, the young horse confined to the pit; the troops firing on the striking miners. And Zola, astonishingly, seems able to see something like good in everyone - you can even understand exactly why the troops open fire. And then can only cry at the devastation.