Feeling Obliged

Attended an interesting talk this afternoon delivered by three young ladies who recently directed a production of Medea. There's a video of this available to us in school, but I've not had the chance to watch it yet. From their account it sounds like quite an adventurous version of the tragedy with lots of inventive creativity involved.

Which got me thinking in broad terms of how much of an obligation a director owes to a text he or she is staging. I didn't want to put this directly to the three ladies this afternoon since it sounds a bit confrontational if you're not aware that my view is that if you're putting on a show your only obligation is to make it work for your audience and all other considerations come a long way after that. So the fact that their production features a deliberately individuated (if that's the right word) chorus doesn't worry me in the slightest - indeed, sounds exciting - but it's definitely not what Euripides intended, or how Greek drama works.

Actually a kind of answer did emerge when one of the directors said they didn't alter the sequence of events in any way. That seemed to point to some sense of the kind of obligation I had in mind. To be honest, I doubt the notion of 'obligation' had crossed their minds in any explicit sense, since thinking about this made me aware that in my days of putting on shows I never consciously took this into account. But I'm very sure I did have a kind of intuitive sense of the parametres I set for myself in terms of playing around with the script being worked on and how it was to be manifested on the stage.

Essentially I've only ever worked with material that I felt I wanted to deliver in something akin to the form originally intended. I was always in thrall to what I vaguely saw as the magic of the original. So I don't think I would have ever tried to do something with a chorus that the progenitor of the text would have found foreign to their understanding of what a chorus should do. The fascination for me lay in making whatever the writer wanted work - even if that meant an audience might struggle to 'relate' to what was on stage. Indeed, I suspect that the most exciting kind of shows are difficult in that sense.

Mind you, it's also the case that I'm not all that creative as an individual so maybe I was just taking the easy way out after all.