Incidentally, I had no idea that Bennett is such an art (as in the visual arts) -buff. He's got an ability to communicate his enthusiasm in this regard that marks him as a natural, real teacher. It was a little strange to get into this aspect of his work just after completing The Sea, in which the appreciation of visual art is a key idea. It's been a long time since I've thought seriously about developing my sense of the history of art, something I was consciously attempting some years ago. I suppose that living in a place where there's little sense of the routine of going to galleries and exhibitions has dulled my appetite in that direction, but I can imagine it reviving under the tutelage of a Bennett.
Actually the problem I have is recognising quality. It all looks good to me, unless I don't get it (the conceptual/performance art stuff, which I still sort of enjoy even when it's just silly, or pretentious, or both) and I'm completely unable to make valid discriminations. In contrast, I think I recognise good writing, and there's heaps of it in Untold Stories.
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