Friday, April 18, 2025

Bad Boys

I find myself thinking more and more of the days of my youth, often in the late evening and if I wake in the middle of the night. The period around 1970 tends to dominate, I find, in terms of the deep resonance that much of the quality music of that period held for me. I was finding my way as a callow teenager and beginning to form actual tastes, with a sense of excitement in my self-awareness that I was doing so.

Spurred on by a sudden memory last week of hearing Pete Townshend's The Seeker for the first time I recently listened to it again and was struck by just how obviously wonderful The Who were in their considerable heyday. It seemed axiomatic to me and my mates back then that Townshend represented the best of pop/rock and needed to be looked up to, as did The Who in general. And since I think exactly the same today this does seem to point towards the wisdom of youth. To be honest, it wasn't exactly an opinion I had conjured for myself. I soaked it in from all around me.

Just after enjoying replaying the song and video (which I don't recall ever seeing at that time) I got to thinking of a curious sort of coincidence. All the Big Four British pop/rock bands of the 60's had their Bad Boy sort of creative-thinker-cum-guru figure, in their own way. Townshend for The Who. Ray Davies for The Kinks - with the bad-boy-ness sort of split, Oasis-style, between Ray & brother Dave. John Lennon for The Beatles - with the creativity bit divided between him and Paul, but not the bad-boy-ness. And who exactly for The Stones? Well, initially Brian Jones, I suppose. But then it's Jagger and Richards - and, in the final analysis, I reckon it's Keef on his own, Mick being fundamentally the conventional capitalist, despite appearances. And, if I'm not mistaken, Peter, Ray, John and Keith all attended art school. (Though I might be wrong about that. I'm too lazy to verify, and it's a nice thought anyway.)

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