He'd called the set-up wasteland which of course put me in mind of Old Possum and the bleakness of modernity, fisher kings and such like. But it seems Mr Tan had nary a thought of all that. His wasteland seemed to be a meditative space within, where the empty land was simply waiting for transformation. This all sounds terribly philosophical, but generally our confab was practical, down-to-earth stuff. For example, he explained it took around three hours to put the orderly dots (a motif appearing on quite a few prints) on the freedom of the earth/waste below. And the problem with the freedom was you didn't know when it was finished.
Come to think of it, I've never had a conversation with any kind of artist that didn't get down very quickly to the nitty-gritty of things.
Oh, and the stuff on display was really appealing. The textures emerging from some of the monochromatic prints were gorgeous. But, sadly, the exhibition finished today.
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