2. The fairly new Springsteen album Working on a Dream. I ventured the opinion that it sounded over-produced after listening to it on the flight to NZ. Of course, I was wrong. It's certainly heavily produced, but it’s a sonic feast for all except unremitting puritans. There's the same Brian Wilson-ish feel that emerged on Magic on several tracks; in fact, more than on the previous album. There's the same sense that the Boss is genuinely singing in a lyrical way and singing exceptionally well. But I think lyrically Working on a Dream is an improvement on Magic and sees our hero back on top form. Tears were pricking my eyes by the time I got to Kingdom of Days and if anyone has ever received a finer tribute in song than The Last Carnival (written for the late, great Danny Federici) well I don't know who it is.
Footnote: I'm old enough to remember the days when the music press ran articles wondering who was the new Bob Dylan, featuring Bruce as such. Amazingly this was a s late as Born To Run when you'd have thought even the most obtuse of the hacks would have realised that if Springsteen was the new anything he was the new Bruce Springsteen.
2 comments:
I'm listening to Billy Joe Shaver
And I'm reading James Joyce
Some people they tell me
I got the blood of the land in my voice
great song. great album. voice as nasal as ever...
Yes, there was considerable excitement in this household over Joyce being name-checked. Oddly Dylan is quite scathing about the 'arrogance' of Joyce in Chronicles when he talks about reading Ulysses. But then that was back in the sixties.
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