It helped that the subject matter was pretty controversial, certainly in terms of what is generally deemed the standard political discourse on this little island. There was an opportunity to genuinely think about thorny, possibly unresolvable issues related to difficult events transpiring over the years of independence. The play revolved around the experience of a man detained without trial in the early sixties, who spends the rest of his life in prison, and the effects of this upon his immediate family, into the present day. Although the play wore its liberal credentials a little too openly there was a real attempt to deal with the human cost yet not to resort to easy cliches.
As is so often the case with small scale productions here, the production values were high, especially in terms of the incorporation of multi-media material. The three cast members gave solid performances, with the one guy, Najib Soiman, being quite outstanding. The best scenes were those dealing head-on with Mazurki's (the detainee's name) arrest and imprisonment and he played these with admirable restraint.
In some ways the most striking, almost refreshing, aspect of the whole thing for me was the audience itself. First of all, it was incredibly youthful. I'd guess the majority were under twenty-four. Secondly, it was extremely focused; although responsive in terms of knowing where to laugh there was a powerful sense of concentration and thought in the little space. Thirdly, it was full, for a little, rather demanding, piece. I can't imagine this twenty years back.
I think the importance of what is going on in these small spaces on the island is underestimated.
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