But the film had the virtue of being relatively short, at forty-five minutes, and thus within my attention span - and that of the girls. It was achingly sentimental also, in a Disneyesque manner, but its heart was in the right place. Entitled The Call of the Wild it rather neatly embedded Jack London's classic within a modern narrative of a somewhat spoiled little girl being sent to a small town to stay with grandfather and discovering the joys of bonding with a sort of half-dog-half-wolf she calls Buck, after London's dog which she learns about through grandad's reading of the tale. Interestingly the genuine harshness and realism of London's idea of the wild comes across through the re-telling - at one point the girl doesn't want to know what happens next - and the reality of the modern Buck's wildness is not played down (though the ending is, sadly, a cop out.) I was reminded of watching Born Free, about the lioness Elsa, when I was a child and feeling very uncomfortable at the uncompromising ending. (Elsa does, inevitably, return to the wild.)
The other great virtue of the film lay simply in the shots of Buck. No need for gimmicks like 3D. The animal looked stunningly beautiful, and gloriously wild. Sometimes just knowing that something of the world outside our human scope is still going strong is enough to make one optimistic in a (very) small way.
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