I bought a couple of CDs when we were in Manchester, one of which was the first Emerson, Lake and Palmer album, entitled, with stunning originality, Emerson, Lake and Palmer. I've been waiting for quite a while for it to be reissued on CD and was pleased to spot it being made available for a reasonable sum. The original vinyl version was one of my first ever purchases and I played it to death as a young teenager - usually playing air-drums along with it, Carl Palmer being in those long-lost days probably my favourite drummer, basically since he was so busy.
It's been many, many years since I listened to the album, and I was keen to hear it again, partly for purely nostalgic reasons, but also to see just how reasonable, or otherwise, my taste in music had been. I was relieved to find it quite listenable, generally lacking in the somewhat foolish bombast the band went on to specialise in (though they come close in places.) The two tracks I had retained a pretty good memory of were the Greg Lake compositions - Take A Pebble and Lucky Man - not surprisingly, I suppose, since these are straight songs, as it were; although, interestingly, I had very little recall of the extended instrumental sections of Take A Pebble.
But what I'm leading up to, and found quite fascinating, is that when I finally played the album on getting back here, not having listened to it in Manchester, I realised that as soon as I heard the opening bars of a track I had instant, complete recall of what was coming next, despite having thought I had completely forgotten the material. This was especially true of the instrumental The Barbarian and Knife-edge, which I'd considered my favourite track as a kid. It was very strange to suddenly know exactly what was coming next, as if the material was emerging from some deep, deep part of my memory, entirely, mysteriously, weirdly intact.